Part Name: Atlantis

Duration: 7.50 Minutes

Genre: Ambient, Psychedelic, Space

Inspiration Package

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©2009 Mert TOL. Only for personal use.

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Part Name: Obscure

Duration: 68 Minutes

Genre: Deep House, Acid, Progressive, Solid

Cover Art

Part Name: Relax Edition One: Timeless

Duration: 78 Minutes

Genre: Ambient, Chill Out, Downtempo, Lo-Fi

Cover Art

This is really brilliant and unusual stop-motion animation example. Take a look.

“Videogioco” – Loop Experiment

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Animation & Concept by Donato Sansone

Sound Design by Enrico Ascoli

Part Name: Cocaine

Duration: 62 Minutes

Genre: Deep House, Acid, Progressive, Funk, Solid

Part Name: Pleasure

Duration: 68 Minutes

Genre: Chill House, Acid, Funk, Deep, Lounge

Inspiration Package

Download the “Pleasure Wallpaper Pack” for your design inspiration.

Resolutions Included

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1280 x 1024

1440 x 900

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1024 x 768

Version for iPhone & iPod touch. (320 x 480)

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Other Details

File size of the pack: 11Mb

Work Time: 45 Minutes.

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©2009 Mert TOL. Only for personal use.

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Bobby McFerrin

What Bobby McFerrin does is not an act; it’s spontaneous invention. He peers over the edge of the cliff, acknowledges the void below, and dives head first, buoyed by the element of surprise. Bobby uses dense rhythms, extraordinary scales, and complicated intervals that accomplished musicians and educators have studied and dissected.

For many people, the name Bobby McFerrin will always be associated with the first a cappella song ever to reach #1 on the charts in America, a feel-good ditty with an inspirational message: “Don’t Worry, Be Happy.”

Bobby’s legendary solo performance and collaborations with artists including Yo-Yo Ma, Chick Corea, Ladysmith Black Mambazo, and The Vienna Philharmonic have toured the world. For Bobby McFerrin, music-making is an unending quest. “Music for me,” says Bobby, “is like a spiritual journey down into the depths of my soul. And I like to think we’re all on a journey into our souls. What’s down there? That’s why I do what I do.”

For more of Bobby McFerrin and the science behind this program, click here.

Selected Comments From Vimeo

Maggie McFee

Wow. Just beautiful and amazing. We are such an awesome animal in so many ways.

It’s not magic or some sort of genetic memory that’s needed to explain this. We’re all immersed in music and melody throughout our lives and our love of listening to it stems from our appreciation of things that please our ears; like the pentatonic scale. What pleases us becomes part of our musical vocabulary. The phrase ‘music is a universal language’ is very close to the truth, I’d say.

This is a absolutely brilliant demonstration of that.

Anna Vorhes

Pentatonic scales are an ancient format in many parts of the world. People singing together without any pre-composition and learning is also a concept from the beginning of music. Perhaps jumping to indicate a pitch was used in Raymond’s Revenge, but the basic materials predate any form of recording including writing.

Caton

If you listen to children when they are creating their own music it is almost always pentatonic based. Bobby does a wonderful job demonstrating the scales innate presence in our psyche.

In 1997 British-born Greg embarked on an assignment for the London Sunday Times Magazine incorporating his love of film into his photography. This project developed into his first book “Greg Williams On Set” (published 2001- Vision On), a reportage photo essay behind the scenes of the British Film Industry. to date Greg has worked as a “Special Photographer” on over 120 films including “King Kong”, “The Talented Mr Ripley”, “The Bourne Ultimatum” and “Attonement”.

Greg’ s photographic style merges reportage together with cinematic lighting and composition.

His reportage on the last 3 James Bond films have led to the publication of his series of “Bond On Set” books. Greg also produced all the posters as well as many of the publicity portraits for “Casino Royale” and “Quantum of Solace”.

Greg describes his time on film Sets as the ultimate photographic education. He learnt his lighting technique from observing many of the worlds finest cinematographers at work and today lights nearly exclusively with film industry lighting as opposed to strobe. He also learnt about giving direction.

As a portrait photographer he has worked with many of the world’s most popular actors including Catherine Zeta Jones, Brad Pitt, Cate Blanchett, George Clooney, Naomi Watts, Sean Penn, Robert Downey Jnr, Keira Knightly and Daniel Craig for such magazines as Vanity Fair, GQ, L’uomo Vogue and Esquire.

In recent years Greg started shooting fashion, mostly for Vogue Italia, for whom he has shot several 20+ page editorials.

Greg has pioneered a technique he calls “Motos” or moving photos, with the use of the Red digital cinema camera. The still frames from this 4K super hi-definition movie camera are good enough quality to run double page spread in a magazine. By creating what looks like a still image the viewer is surprised when the subject suddenly comes to life. The world’s first application of this was seen in the moving posters for “Quantum of Solace”, seen on screens on the London Underground as well as in Times Square and on Hollywood Blvd in LA.

Quantum of Solace

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Dunhill London

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Recently Greg has started to work as a director. Greg wrote, directed and lit “Love me Tender… Or Else”, a short film for Agent Provocateur, which Britain’s News of the World described as the “Worlds Sexiest Advert”.

Love Me Tender… Or Else

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Megan Fox – Esquire – June 2009

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Portraits

Fashion

You can look Greg’ s other great works after click here.

Part Name: Equilibrium

Duration: 50 Minutes

Genre: Deep House, Acid, Progressive, Funk

Inspiration Package

Part Name: Traveller In Time

Duration: 62 Minutes

Genre: Psychedelic, Chill Out, Ambient, Instrumental

Story

I guess this was a great trip for me, however some people do not understand why. Well, I did lose my left arm, but what the hell, I found out that I had a third arm. The invisible one. Since then I started to learn how to use my karma arm, and soon my skills were those of a master. It wasn’t a surprise to me when people started turning their backs on me, since I was considered to be a freak and mentally ill. Funny thing. I can’t tell them the truth, it would be like explaining the possibility of space travel to a goldfish. So I’m just trying to… Play the song and finish this journey.

Inspiration Package