Thirteen Ways of Looking at a Typeface
Michael Bierut says :
For the first ten years of my career, I worked for Massimo Vignelli, a designer who is legendary for using a very limited number of typefaces. Between 1980 and 1990, most of my projects were set in five fonts: Helvetica (naturally), Futura, Garamond No. 3, Century Expanded, and, of course, Bodoni. {…}
{…} Why spend hours choosing between Bembo, Sabon and Garamond No. 3 every time you needed a Venetian Roman? For most people — my mom, for instance — these were distinctions without differences. Why not just commit to Garamond No. 3 and never think about it again? My Catholic school education must have well prepared me for this kind of moral clarity. I accepted it gratefully. {…}
{…} Those thousands of typefaces are still out there, but my recovery has required that I become more discriminating and come up with some answers to this seemingly simple question: why choose a particular typeface? Here are thirteen reasons. {…}
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Because it works.
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Because you like its history.
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Because you like its name.
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Because of who designed it.
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Because it was there.
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Because they made you.
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Because it reminds you of something.
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Because it’s beautiful.
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Because it’s ugly.
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Because it’s boring.
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Because it’s special.
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Because you believe in it.
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Because you can’t not.


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